dr.sc. Ljiljana Kolešnik, PI
dr.sc. Irena Kraševac
dr.sc. Petar Prelog
dr.sc. Tamara Bjažić Klarin
doc. dr.sc. Željka Tonković
doc. dr.sc. Dalibor Prančević
dr.sc. Artur Šilić
dr.sc. Sanja Horvatinčić
doctoral students
professional assistants
Irena Šimić, Head of the IAH Documenation and Archival collections; Copyright law specialist
Paolo Mofardin, digitalization and image management specialist
dr.sc. Ljiljana Kolešnik, PI
dr.sc. Irena Kraševac
dr.sc. Petar Prelog
dr.sc. Tamara Bjažić Klarin
doc. dr.sc. Željka Tonković
doc. dr.sc. Dalibor Prančević
dr.sc. Artur Šilić
dr.sc. Sanja Horvatinčić
doctoral students
professional assistants
Irena Šimić, Head of the IAH Documenation and Archival collections; Copyright law specialist
Paolo Mofardin, digitalization and image management specialist
dr.sc. Ljiljana Kolešnik, PI
dr.sc. Irena Kraševac
dr.sc. Petar Prelog
dr.sc. Tamara Bjažić Klarin
doc. dr.sc. Željka Tonković
doc. dr.sc. Dalibor Prančević
dr.sc. Artur Šilić
dr.sc. Sanja Horvatinčić
doctoral students
professional assistants
Irena Šimić, Head of the IAH Documenation and Archival collections; Copyright law specialist
Paolo Mofardin, digitalization and image management specialist
The conference is an online event aimed at mapping the range of decolonial approaches to museum collections and practices in East-Central Europe.
In recent years, the debate over ‘decolonization’ has reinvigorated the museum and heritage sector globally, with a range of intensities and agendas. International organizations are being called on to reshape cultural institutions, to reorganize knowledge production and recognize its diverse forms, to share power and authority, to account for multiple perspectives, and to confront historical injustice in museum cultures, practices, structures, narratives, and collections.
Post- and decolonial approaches already have a strong foothold in post-socialist Eastern European scholarship and public discourse with regard to the legacies of Russian/Soviet, German/Nazi, Habsburg, Polish, and Ottoman imperialisms. But in practice, the impact of decolonial critique has been limited to temporary interventions rather than more sustainable heritage methods and strategies.
NAM Glob_EXCHANGE
Models and Practices of Global Cultural Exchange and Non-aligned Movement. Research in the Spatio-Temporal Cultural Dynamics
Avant-garde magazine Zenit - network of editorial boards and contributors respective to each magazine issue from 1921 to 1924
International art movement New tendencies' social network 1961-1965
Diagram presenting art groups and art collectives participating in NT exhibitions between 1961 and 1965
Variant of Venn diagram presenting the cross section of the participants at NT exhibitions 1968 - 1973
Soros Centre for Contemporary Art, Zagreb (SCCA) social network generated by the exhibitions held during 1990s
presentation of network clusters
Spatial distribution of the municipal museums holding collections related to antifascist resistance during the WW II
Diagram presenting the most prominent authors of public monuments in Croatia between 1945 and 1990. Dimension of the circle relates to number of realized projects per each sculptor
